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No single artist operating in Nigeria presently has mastered the art of music singles as culture shifters like Dotman has. From the days of his first singles, “Yes Melo” and “Fine Girl,” the singer has maintained a dogged dedication to elevating the arena of transformative pop singles.
The album that bears the fruit of his hard work is Hakuna Matata, a fresh, incisive body of work bearing the signs of Dotman’s proficiency but tempered with the urge to make music for all occasions. Hakuna Matata opens with “Pele,” a mellow reflection on the path that has led him to his position. “Chop Life” thrives on its obliviousness, designed to pull listeners into the hedonistic orbit that Dotman currently operates at.
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